How To Describe Blue Eyes In Writing?

Instead of just writing ‘blue eyes’, try one of these:

  • arctic blue.
  • aquamarine.
  • baby blue.
  • cornflower.
  • electric blue.
  • ice blue.
  • indigo.
  • ocean blue.

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How do you describe eyes in words?

Adjectives for Eyes The eyes can be described using various adjectives like pale, blue, beautiful, bold, heavy, reddish, etc. The adjectives can be used appropriately depending on the description. If you wish to explain the colour of the eye, then you can use the colour of the eyeball (emerald, blue, hazel, etc.) as the adjective.

How would you describe the color blue?

How does the color blue make you feel? People have long believed that certain colors can evoke different moods and feelings, and some research has supported the idea that colors can have psychological effects. Blue is a color often found in nature, such as the pale blue of a daytime sky or the rich dark blue of a deep pool of water. How To Describe Blue Eyes In Writing Illustration by Cindy Chung, Verywell

What is the mood of blue?

Blue – How To Describe Blue Eyes In Writing Photograph: J DuClos (via Unsplash ) Blue makes you feel safe and relaxed. Blue evokes feelings of calmness and spirituality as well as security and trust. Seeing the color blue causes the body to create chemicals that are calming. It is no surprise that it’s the most favored of the colors.

How do you describe appearance in writing?

Show some personality in the looks – Photo by Ladislav Bona on Unsplash One of the most common questions I get asked by new writers is, “How do I describe my character’s appearance?” This question is usually followed up with more questions about how long to make the description, what to include in it, and when to use it.

But most new writers are not aware that they can use their character’s appearance to show their personality and it creates fluidity in their writing. Let’s dive in to how that works. It’s not easy at first, showing personality in character descriptions, but the more you practice the better you’ll be. Let’s break down the following description: “She was tall, it was all in her legs.

Her long brown hair swayed behind her as she walked. When she’s in a good mood, her blue eyes brighten up. Her nose came to more of a point than she would’ve liked, but she would eventually learn to love it. She was what the kids call ‘slim-thick’ these days, but her face would flush with color if you mentioned that to her, making her freckles completely disappear.

  • Her lips were naturally a light pink and full.” Okay, let’s pick apart this description and look at what does and doesn’t work.
  • You probably have a pretty specific image of somebody in your head now.
  • You know it’s a woman based on the pronouns.
  • And she’s at least of age because our narrator points out her curvy frame in a mildly sexual way.
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Her eyes are blue and her hair is brown, and she’s tall. Freckles dot her face and sometimes she gets so red you can barely see them. Some of these points about our leading lady are just basic descriptions, and some of them are characterizing points. Vocab: Characterizing : To show the personality of your character.

There are a specific points that use our character’s appearance to show personality. Her long hair and blue eyes don’t tell us much about who she is. The way her hair moves when she walks, however, tells us she has a bit of a pep in her step. She walks with a quick enough pace that the energy causes her hair to sway behind her.

The brightness of her eyes seems to change with her mood, which can later be used as a subtle indication of her mood as the story progresses. In these two sentences, your reader will subconsciously pick up on the subtext lying beneath this description.

Vocab: Subtext : Things your reader can learn about your story that are not explicitly said. The next sentence is about her nose. We learn that it’s a bit pointy. But what’s more important here is that we learn how our protagonist thinks of her nose. She doesn’t love it currently, but eventually she will.

This shows your reader that she might be insecure, but is working to love herself for who she is. We can use a prominent feature to help show characterization of our leading lady. Just saying her nose is pointy might make her sound like the wicked witch of the west.

After that, we get a sense of her frame. The narrator throws out the term ‘slim-thick’, which is a modern term for a curvy woman. Then, we get another sense of her insecurity. Mentioning her frame makes her blush brilliantly. Maybe she has been objectified a lot and gets embarrassed easily when people talk about her body.

In the same sentence we learn that she has freckles, which not only stand as defining marks of her physical appearance, but as a gauge for how red her face gets. The parts I don’t like about this description are the ones that stand alone as physical identifiers.

  • There’s no characterization behind them.
  • Nothing in the fact that she has long legs or full, pink lips tells us about her personality.
  • Unless these features play a role in her life somehow, you can do away with describing them here.
  • If you need your reader to know she’s tall because it’s part of the story line, you can include it in a comparison as she stands next to somebody else.

Knowing where to put your character descriptions in your story is important. It’s like baking bread. Your ingredients are plot, characters, setting, dialogue, and details. If you put your character descriptions into the mixer at the wrong time with the wrong ingredients, your bread will turn out funky.

  • Think about how you describe your friend to someone who doesn’t know them.
  • You say things like “oh they’re funny, super nice, really smart.” You might not even mention appearance until someone asks.
  • This other person might say “Oh I know somebody like that.
  • What does your friend look like?” Then you’d go into details about height, eye color, hair color.
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When you write a story, think about this same order of description. Your reader cares far more about what your characters are like than what they look like, Add physical descriptions when it enhances the scene. Use physical descriptions as little as possible in my stories.

One of my pet peeves is over describing. As readers, we get a picture in our head about where we are and who the characters are on the first page. After that, it’s hard to change our mental images. So the more you describe, the easier it’ll be for your readers to be taken out of your story. Vocab: Get taken out of your story : When someone says ‘that really took me out of the story’ it means that for a minute they were back in their reality, criticizing the piece of writing in front of them rather than being engaged in the fictional story.

I said it once and I’ll say it again: Use physical character descriptions as little as possible in your writing. Yes, sometimes they are necessary. Some writers will disagree on when a physical character description becomes a necessity, but that’s part of the beauty of writing.

Only use physical descriptions when it shows a personality trait, ie. messy hair, blushing, fingernails that have been bitten down to almost nothing.Don’t write more than 3 sentences of physical description in a row.Try to be more creative than ‘brown hair’ or ‘blue eyes’.But don’t get so creative that it feels forced, like ‘green orbs’ for eyes. In the end, simple is better.Describe less to let your readers picture who they want.Have fun, writing is supposed to be fun, okay? Don’t forget that.

If you have a draft of a story you’ve written, go through and edit your character descriptions using what you’ve learned here. Remember, you get to decide what is and isn’t necessary in your writing. Michelle Renee Miller recently launched her first writing course. It’s free, it’s a quick 20 minutes, and it’ll jump start your career as a fiction writer. You can sign up here,

How do you describe sad eyes?

Describing Sadness – Sadness is a difficult emotion to portray because it is often complex and confusing. Even the character experiencing the sadness might not understand exactly why they feel that way. With that said, there are a few universal signs of the expression, such as:

Their eyebrows will lower and pulled closer togetherThe inner corners of their eyebrows will be angled upThe corners of their mouth will be drawn downwardsTheir lips may be either drawn in tightly or pouting outwards

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Another familiar telltale sign of sadness is crying. There are so many ways to describe crying that I couldn’t possibly cover all of them here, but I’ll give you a few pieces of advice:

Tears first pool in the eyes before they streak down a person’s cheeks.Tears distort vision, so if you’re writing in the first person, don’t forget that your character’s vision will be blurry. Crying usually isn’t a pretty sight, so don’t be afraid to show that the character’s face is red or that their nose is running.

So, sadness is a complex emotion—but what does that really mean? Well, there are many different ways that sadness can be felt and expressed depending on the intensity of the emotion, and there many different things that can trigger a sad response in a character.

When a character is truly heartbroken, their expression may change to be more numb: their mouth may hang open loosely, their eyes may remain closed, and the rest of their body may become limp and heavy. Complexity also means that sadness is often experienced in tandem with another emotion, such as anger, happiness, or disgust.

I’ll get more into how to write complex expressions later though, so read on!

What is a sentence for eyes?

I opened my eyes and looked. Maria’s eyes filled with tears. He is now blind in one eye.

How do you describe two different colored eyes?

What Can Having Different Colored Eyes Mean for Health? WhitneyLewisPhotography / Getty Images One of the first things someone may notice about you is your, But what if each eye is a different color? While this is a relatively rare condition — occuring in less than one percent of the population — it does happen, and it has a name: heterochromia.

  • It’s the word we use to describe when a person’s iris color doesn’t match,” explains Timothy McCulley, M.D., professor and chair of the Ruiz department of ophthalmology and visual science at McGovern Medical School at UTHealth Houston.
  • While not common in humans, it occurs in dogs (particularly Dalmatians and Australian sheepdogs), cats and horses with surprising regularity.

Heterochromia takes three main forms, according to the :

  • Complete heterochromia : One iris — the colored tissue at the front of the eye — is a different color from the other.
  • Partial heterochromia : Part of one iris is a different color from the rest of it.
  • Central heterochromia, This is when the inner ring of the iris is a different color from the outer ring.

Jon Kopaloff / Getty Images Actress Kate Bosworth reportedly has heterochromia, irises with different colors. Certain famous celebrities, such as Mila Kunis, Kate Bosworth and Kiefer Sutherland, reportedly have heterochromia. Although some speculated that musician had different colored eyes, in fact it appears that he had another condition, called anisocoria, due to an injury that made his pupils different sizes, McCulley says.