Who Sings Brown Eyes?

Who Sings Brown Eyes
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Who else sang Brown Eyed Girl?

Iain Matthews version –

“Brown Eyed Girl”

Single by Ian Matthews

from the album Go for Broke

B-side

“Steamboat”

Released

May 1976

Recorded

1976

Studio

Quadrofonic Studio, Nashville

Genre

Soft rock

Length

3 : 51

Label

Columbia

Songwriter(s)

Van Morrison

Producer(s)

Norbert Putnam, Glen Spreen

Ian Matthews singles chronology

” I Don’t Want to Talk About It ” (1975)

” Brown Eyed Girl ” (1976)

” A Fool Like You ” (1976)

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British singer/songwriter Iain Matthews remade “Brown Eyed Girl” for his 1976 album Go for Broke from which it was issued as the lead single, becoming a hit in the Netherlands (No.22) and in New Zealand (No.25).

Who sang beautiful beautiful brown eyes?

‘Beautiful Brown Eyes’ is a country song written by Alton Delmore, originally inspired by his oldest daughter. Beautiful Brown Eyes.

‘Beautiful Brown Eyes’
Song
Songwriter(s)	Alton Delmore

Is Brown Eyed Girl about a black girl?

Originally titled ‘Brown-Skinned Girl,’ Morrison changed it to ‘Brown Eyed Girl’ when he recorded it. It has also been stated that the song was about an inter-racial relationship and Morrison changed the title to ‘make it more palatable to radio stations.’

Who was Brown Eyed Girl written about?

This was originally called “Brown Skinned Girl,” and was about an interracial relationship. Morrison changed it to “Brown Eyed Girl” to make it more palatable for radio stations. Some stations banned it anyway for the line, “Making love in the green grass.” This was Morrison’s first release as a solo artist; he was previously with the group Them. The song appeared on his debut solo album Blowin’ Your Mind! and again on his 1973 compilation T.B. Sheets, It’s one of Morrison’s most enduring songs, but he thinks a lot less of it than most of the public. In 2009 he explained to Time magazine: “‘Brown Eyed Girl’ I didn’t perform for a long time because for me it was like a throwaway song. I’ve got about 300 other songs I think are better than that.” In the third verse, the line, “Making love in the green grass,” was overdubbed with a line from the first verse, “Laughin‚ and a-runnin‚” to make it more radio-friendly. The 1990 Best Of Van Morrison CD released the censored version, apparently by someone unaware that there were two versions. >> Suggestion credit : Jesse – Mesa, AZ This was a hit during the “Summer Of Love,” when hippie culture bloomed in the US and the song provided a fitting soundtrack. Morrison, however, wanted nothing to do with this scene and was horrified when the album was released with a psychedelic-looking cover. The female backing vocals were performed by The Sweet Inspirations, a gospel-influenced group that performed on many hits for other artists in addition to their own material. You can also hear them on ” Chain Of Fools ” by Aretha Franklin and ” I Say a Little Prayer ” by Dionne Warwick. The Sweet Inspirations became Elvis Presley’s female backing singers in 1969, touring and recording with him until his death. Bert Berns, who had written the 1965 hit “Here Comes The Night” for Morrison’s group Them, produced “Brown Eyed Girl” and the rest of the album. He brought a lot of pop appeal to this song, adding the Latin flavor that was one of his go-to sounds. Morrison wasn’t looking for pop, however, and this song became his nemesis. “I never wanted to be commercial, and suddenly ‘Brown Eyed Girl’ was making me even more commercial,” he said. Morrison was signed to Berns’ label, Bang Records, in a deal that included management, production and publishing. He recorded the song in March 1967, relocating to New York City to work with Berns and establish his solo career. The deal soured quickly when Morrison’s creative vision clashed with Berns’. They recorded a songs for a second album, but Morrison hated the results and left Bang, resulting in years of legal disputes. He signed a deal Warner Bros., which released his next album, Astral Weeks, in 1968. Bert Berns died of a heart attack on December 30, 1967. This song was awarded a “Million-Air” certificate at the 2009 BMI London Awards dinner. The certificates are presented in recognition of songs by European artists that have achieved multi-million US radio and television performances and this track topped the 2009 list with an astounding nine million performances, since it was first recorded. Jimmy Buffett recorded this for his 1983 album One Particular Harbour, Other popular covers are by El Chicano, whose version went to #45 US in 1972, and the Henry Paul Band, whose 1982 rendition made #105. This was prominently featured in the 1991 thriller Sleeping with the Enemy as Julia Roberts’ character is having fun with masks and theater props. Adam Duritz was accused of pilfering the “sha-la-la-la-la” from “Brown Eyed Girl” for Counting Crows’ ” Mr. Jones,” Guitarist David Bryson balked at the suggestion in an interview with The Georgia Straight in 1997: “Certainly Adam grew up listening to Van Morrison – I mean, we all still listen to Van Morrison – but, my god, every band today has grown up with rock ‘n’ roll, and all those influences show themselves at one point or another.” As a compound adjective, the title should be hyphenated as “Brown-Eyed Girl,” though some claim the punctuation mark isn’t necessary in a song title. Either way, it’s not the first time a musician has ignored grammar rules for the sake of art. Check out other songs with bad grammar in the title, The Blowin’ Your Mind! album also contains ” T.B. Sheets,” a song about a woman with tuberculosis. Running 9:44 and filled with blues harmonica, it’s nowhere near “Brown Eyed Girl” in terms of pop appeal, but it’s one of Morrison’s most acclaimed songs. Despite the song’s success, Morrison was broke because of a bad deal he signed with the Bang record label. In an interview with CBS Sunday Morning on March 8, 2009, Morrison claimed he had to “beg” the label for a couple hundred dollars just to survive. He switched to the Warner Bros. label for his next album, the classic Astral Weeks,

Who sang Brown Eyed Lover American Idol?

Allen Stone – Brown Eyed Lover.

Who is the female singing in all of the lights?

Leaks and release – Even though not fully leaked, “All of the Lights” was featured for the first time on ” Runaway “—a 35-minute film about West’s “true labor of love” which was released on October 23, 2010. The song was featured in the film together with other songs from West’s then-upcoming fifth studio album My Beautiful Dark Twisted Fantasy (2010), including ” Monster “, ” Power ” and ” Lost in the World ” among others.

The song fully leaked on November 4, 2010, online.
West announced through his Twitter account that “All of the Lights” would be the album’s fourth single.
Following the album’s release, the song debuted at number 92 on the Billboard Hot 100.
It was sent to Australian contemporary hit and alternative radio stations on December 13, 2010.

“All of the Lights” was released as a single in the United States on January 18, 2011. Rihanna was credited as a featured artist for the single when impacting radio.

Does Millie Bobby Brown sing?

Is Millie Bobby Brown Launching a Music Career? – While Millie has yet to confirm a potential music career, she has showed off her musical abilities in the past! She partook in Elle Magazine ‘s song association with Stranger Things costar Noah Schanpp back in May 2022, where the two sang songs from John Mayer to Khalid to Britney Spear s.

Along with that, Millie revealed that one of her favorite musical inspirations is Amy Winehouse in an interview with Jimmy Fallon from May 2019. “Amy Winehouse is my favorite,” she told Jimmy asked about her musical inspirations. “Still a kid, but when I was a kid kid, baby, Amy Winehouse was my thing.

Still is.” After declaring her love for Amy, Jimmy shared a home video of the actress performing “Valerie” when she was five. “Now I can listen to her and actually impersonate her,” she said. The musical theme of the Fallon episode continued when the two competed against each other in a game of “Beat Battle,” where they had to sing a song based on the beat that The Roots gave them.

Does Alessia Cara sing?

Alessia Cara
Cara performing at Washington’s National Mall in 2018
Born	Alessia Caracciolo July 11, 1996 (age 26) Mississauga, Canada
Other names	Alessia (2014–2015)
Citizenship	Canada Italy
Occupations	Singer songwriter
Years active	2014–present
Musical career
Genres	Pop R&B
Instrument(s)	Vocals
Labels	EP Def Jam Universal Music Group
Website	alessiacara,com

Alessia Caracciolo (born July 11, 1996), known professionally as Alessia Cara (), is a Canadian singer-songwriter. Born in Mississauga, Ontario, to Italian Canadian parents, she began posting covers of songs on YouTube at age 13. After uploading acoustic covers of songs such as ” Love Yourself ” and ” Sweater Weather ” online, she signed with EP Entertainment and Def Jam Recordings in 2014 and released her debut single, ” Here “, the following year.

It peaked at number 19 on the Canadian Hot 100 chart and was a sleeper hit in the US, peaking at number 5 on the Billboard Hot 100 chart.
Cara’s debut studio album, Know-It-All (2015), peaked at number 8 on the Canadian Albums Chart and at number 9 on the Billboard 200,
The album’s third single, ” Scars to Your Beautiful “, peaked at number 8 on the Billboard Hot 100 in 2016.

In 2017, Cara collaborated with DJ and producer Zedd on the single ” Stay “, which is certified seven-times platinum in Canada, and featured alongside Khalid on rapper Logic ‘s song ” 1-800-273-8255 “, Cara has received nominations for four Grammy Awards, winning the Best New Artist in 2018.

She was nominated for Song of the Year and Record of the Year at the 2019 Latin Grammys for her collaboration with Juanes on ” Querer Mejor “. Her second studio album, The Pains of Growing (2018), saw the moderate commercial success of the singles ” Growing Pains ” and ” Trust My Lonely “. The album won Juno Award for Album of the Year and Juno Award for Pop Album of the Year while she went on to win Juno Award for Songwriter of the Year,

Her third album, In the Meantime (2021), was met with generally positive reviews from critics.

Who sang the original the most beautiful girl in the world?

‘The Most Beautiful Girl’ was also recorded by Slim Whitman in the 1970s. The Most Beautiful Girl.

‘The Most Beautiful Girl’
Label	Epic
Songwriter(s)	Rory Bourke Billy Sherrill Norro Wilson
Producer(s)	Billy Sherrill
Charlie Rich singles chronology

What does a brown eye mean?

(vulgar, slang) the anus.

Is Brown Eyed Girl a good wedding song?

“Brown-Eyed Girl” – Lyrics you’ll love: “And whatever happened/To Tuesday and so slow?/Going down the old mine with a/Transistor radio/Standing in the sunlight laughing/Hiding ‘hind a rainbow’s wall/Slipping and sliding/All along the waterfall with you” “Brown-Eyed Girl” is one of those classic 1960s songs that we’ve all heard somewhere at least once.

Who is the leader of Brown Eyed Girl?

2006: Formation and early years – Jea was responsible for the group’s creation and was actively involved in the selection of the other members, choosing Miryo, who was active as a member of hip-hop group Honey Family. Narsha was chosen when Jea remembered her as a “talented singer” from her school days, and Ga-in was selected by the three members after she was eliminated from the reality competition series Let’s Coke Play! Battle Shinhwa !,

They performed several small-scale concerts before making their debut, and were tentatively called “Crescendo” and “Dark Angel”. On March 2, 2006, after three years of formal training, Brown Eyed Girls released their debut album Your Story, simultaneously with its lead single “Come Closer”. Debuting as a “faceless group” they did not appear on any visual media and chose to not even appear in their own music video.

Though the album was not a commercial success it was later re-released to include “Hold The Line”. This song became a hit, further boosting the band’s popularity. “Hold the Line” was disclosed across the world because it was included in the list of songs from the game Pump it Up.

After a short break, the group went back into the studio to work on their second album Leave Ms. Kim ( 떠나라 미스김 ), which included their R&B single “You Got Me Fooled” ( 너에게 속았다 ). Subsequent singles were “Oasis” ( 오아시스 ) featuring Lee Jae Hoon and “It’s Mine” ( 내꺼야 ), a collaboration with fellow group SeeYa,

During the break between their debut and second albums, Brown Eyed Girls released their first digital single entitled “I Am a Summer” ( 내가 여름이다 ), which was later included in their second LP. The first two albums contained typical R&B ballads which had been very popular in the K-pop scene.

However, their commercial success was relatively higher with the two singles between the first and second albums. Moreover, the second album containing “You Got Me Fooled” ( 너에게 속았다 ) was released at nearly the same time as Wonder Girls’ “Tell Me” which was a nationwide success in Korea. Therefore, their second album was once again a commercial disappointment.

At the same time, the general K-pop scene was changing from R&B ballads to dance music.

How many songs did Rose Marie McCoy write?

This piece is part of an ongoing series on the unsung women of history. Read more here. Elvis Presley. Tina Turner. Nat King Cole. Rose Marie McCoy? If one of these things doesn’t seem like the other, you’re forgiven—McCoy was anything but a household name, though her songs were sung by some of history’s greatest artists.

McCoy’s start was not auspicious: Rose Marie Hinton was born to Arkansas farmers in 1922.
As a child, she lived in a shack with a tin roof and helped her siblings raise chickens and cotton.
But life in rural Arkansas—a place that was not kind to African-Americans—was never enough for Hinton.
She began to wonder if she could use her talent for singing and writing songs to raise her family out of poverty.

Armed with $6 and a singing voice, she headed to New York City in 1942. There, the 19-year-old worked ironing shirts and singing in nightclubs around the city, and soon married James McCoy (to whom she would remain married for 57 years, until his death in 2000).

But though she was a talented enough singer to eke out a modest living, she quickly got a hint that she could succeed by using a different talent: Four years after arriving in the big city, a harmony group called The Dixieaires with Muriel Gaines recorded “After All,” the first of her songs to make it to a record.

McCoy hadn’t given up on her singing career, though. She stopped put her songwriting skills under wraps, focusing on her singing for six more years. In 1952, she got her big chance: an audition for Wheeler Records, a short-lived blues label based in New York.

But Wheeler didn’t just like her voice—what they really liked her were songs “Cheatin’ Blues” and “Georgie Boy Blues.” When McCoy hit number 3 on the R&B charts with her song “Gabbin’ Blues,” her career as a songwriter began in earnest. Get your history fix in one place: sign up for the weekly TIME History newsletter At the time, women songwriters were almost unheard of.

Few women participated behind the scenes in the music industry at the time—Carole King was still in elementary school—and even fewer were African-American. They often did their work uncredited and unacknowledged, especially as the artists for whom they wrote grew in popularity.

And popular music was in the midst of a seismic shift as rock and roll, which both borrowed from and appropriated forms of music pioneered by African-Americans, took over the charts.
McCoy’s own career shows those tensions.
In 1954, she wrote a song called “Tryin’ to Get to You” for The Eagles, a black R&B group, but the song didn’t take off until a young artist named Elvis Presley hit number one with an album that included the song a few years later.

“We thought he was terrible because he couldn’t sing,” McCoy remembered years later, Terrible or not, Presley turned McCoy into a hot commodity. “We thought it was the blues, they called it rock’n.’roll,” she recalled, “I still don’t know the difference.” What McCoy did know was songwriting, and she became a close collaborator of Charlie Singleton, who is best known for writing “Strangers in the Night.” By the 1960s, McCoy had reportedly turned down offers from major labels like Stax and Atlantic and had her own office in the historic Brill Building, the undisputed songwriting capital of the world.

As an independent songwriter, she was in control of her own wild success—not beholden to the sound of a particular label or artist. Over the years, McCoy wrote over 850 songs and jingles for the likes of Sara Vaughan, Aretha Franklin, Nat King Cole and others. She was still writing shortly before her death in 2015 at age 92.

As Motown and Stax head Al Bell recalled, “She realized, at some point, that her power was in the pen. She’s just one of those rare persons who wants to be free to write her own songs her own way.” Today, women and women of color are still underrepresented in the recording industry.

Who sang Billie Eilish American Idol?

Who Sings Brown Eyes Update: On Sunday night’s episode of ‘American Idol,’ live voting results revealed that West Palm Beach resident Allegra Miles was one of three contestants eliminated from the competition. Miles sang Billie Eilish’s “ocean eyes.” The 19-year-old started at the piano and stood up halfway through the song, a move judges praised.

That is why we saved you right there,” said judge Luke Bryan. Judge Katy Perry called Miles incredibly talented, adding that she hoped “America does not make the same mistake.” Read more about Miles’ experience on the singing competition and her ties with West Palm Beach’s music scene below. *** Allegra Miles didn’t see the question, tucked away on Instagram under the message requests tab.

But a month or so later, she said, there it still sat, awaiting an answer that would put her on stage singing her own songs to strangers: Did she want to come audition for ‘American Idol’? The 19-year-old West Palm Beach resident wasn’t initially sure.

Miles competed on NBC’s ‘The Voice’ in 2020 and said she hadn’t considered doing another show, “mostly because my focus has always been my writing and my music versus just singing.” But after learning she could perform original music, she arrived at her answer. “Why wouldn’t I take this opportunity that’s in front of me.?” On Monday night’s episode, Miles earned a spot among this season’s top 14 contestants.

She learned during the live production that she hadn’t been voted into the top 10, which would have secured her spot in the competition. Instead, as audiences watched, a microphone was quickly brought on stage and she began to sing her original song “Tainted” in the hopes that the judges would choose her to continue on.

Judges Lionel Richie, Katy Perry and Luke Bryan moved her forward in the competition, just as they had the first time she sang the song to them at her in-person audition in Nashville.
She had written it just about a month before “from one of the worst experiences of my life,” she said.
Everything about you is looking like an artist,” Bryan said at the audition.

Last week on ‘Idol’: Allegra Miles reflects on struggles, sings her way to top 14 spot on ‘American Idol’ Exclusive Interview: The Who’s Roger Daltrey still hopes he dies before he gets old Celebrity sighting in Lake Worth Beach: Gordon Ramsay stops in at Benny’s on the Beach

Who sang the Billie Eilish song on American Idol?

Katy Perry compares American Idol contestant to Billie Eilish

One contestant on has wowed the judges, earning herself a comparison to,Emyrson Flora impressed the audience with her performance on the singing competition series. The 16-year-old performed a rendition of Olivia Rodrigo’s 2021 hit song “Driver’s Licence”.Judge Lionel Richie praised the singer’s “old, settled cry”. “When that cry comes out, regardless of whatever else you’re thinking, it’s believable, the whole essence of this thing, is to make sure we feel what you’re singing,” said the “Stuck On You” singer. similarly applauded the “cry” in Flora’s voice, comparing it to the voice of Eilish.

“Your unique special sauce is that cry, and especially holding the room when it’s quiet – it’s a little like Billie Eilish,” Perry said. “She doesn’t have to sing crazy notes, she can have the whole crowd in the palm of her hands by being quiet, and you do that so, so well.” Some viewers at home agreed with Perry, with one person writing: “Emyrson Flora does sound hauntingly reminiscent of Billie Eilish but has a higher pitch to her tone.

Who sang Bohemian Rhapsody on American Idol?

25 February 2022, 14:35 | Updated: 21 July 2022, 15:03 Adam Lambert, who would go on to perform sold-out stadiums across the world as the lead singer of one of history’s most famous and successful bands, waited nervously in front of the judges as they held his fate in their hands. Picture: Fox/American Idol This is the moment Adam Lambert sang ‘Bohemian Rhapsody’ on American Idol and the judges were torn on whether to send him through to the next round.

Adam Lambert confesses fear of following Freddie Mercury before first full Queen concert Adam Lambert facts: Queen singer’s age, partner, career and American Idol past revealed

Adam, who would go on to perform at sold-out stadiums across the world as the lead singer of Queen, one of history’s most successful bands, waited nervously in front of the judges as they held his fate in their hands. 27-year-old Adam Lambert was a contestant on American Idol in 2009 when he auditioned for the judges by performing Queen’s ‘Bohemian Rhapsody’. Picture: Fox/American Idol The footage shows the nail-biting moment the future Queen frontman, Adam Lambert, nearly didn’t get put through by American Idol’s four judges. Picture: Fox/American Idol After singing a flawless acapella version of Freddie Mercury ‘s famous ‘ Bohemian Rhapsody ‘ the judges were quick to evaluate the 27-year-old Adam Lambert’s performance.

Adam Lambert and Queen’s emotional rendition of ‘Who Wants To Live Forever’ will give you goosebumps When Freddie Mercury joined Adam Lambert for a spine-tingling duet of ‘Bohemian Rhapsody’ in 2015

What the judges didn’t know was they had confirmed the exact doubts Adam had had before the audition: that his musical theatre past would hinder his chances and it nearly stopped him applying for the show altogether. “I didn’t think I was the right kind of performer to I didn’t think I would work on the show,” the former Wicked star told Entertainment Weekly in 2016, “I thought ‘Oh, I’m not the type that they look for.'” After singing a flawless a capella version of Freddie Mercury’s famous ‘Bohemian Rhapsody’ the judges were quick to evaluate the 27-year-old Adam Lambert’s performance. Picture: Fox/American Idol Simon Cowell, Randy Jackson, Paula Abdul, and Kara DioGuardi then proceeded to argue over the young performers vocals, with Simon Cowell calling his performance “too theatrical”. Picture: Fox/American Idol Not only was Adam nervous of not getting through,the performer also had to quit his job in a professional theatre production as American Idol rules stated that contestants couldn’t be under any sort of entertainment contract.

Extraordinary moment Adam Lambert brought Cher to tears with mournful cover of dance hit ‘Believe’ Adam Lambert’s surprise duet of Queen’s ‘I Want To Break Free’ during stunned singer’s X Factor audition

“When it came time to go in front of Simon, Paula, Randy and Kara, it was like in the back of my head, it was like “If this doesn’t work out, you’re screwed.” “I got up there and it just all kind of worked. I was nervous but I felt a good connection with the judges. I was looking at them and I was chatting with them and I felt it was a good repertoire and they were paying attention. The judges confirmed the exact doubts Adam had had before the audition: that his musical theatre past would hinder his chances and it nearly stopped him applying for the show altogether. Picture: Fox/American Idol “The first song that I performed for them was a Michael Jackson song — ” Rock With You ” — and it didn’t quite connect like I wanted it to, and they were kind of looking at me sideways.” ” said, “What else do you have?” That’s when I performed ‘ Bohemian Rhapsody,’ That seemed to click for them and that’s what they ended up using on television,” he recalled.

When Adam Lambert paid tribute to George Michael with a flawless cover of ‘Faith’

Adam Lambert proceeded to the live rounds of the show and alongside being embraced by the public, was spotted by none other than Queen themselves. Roger Taylor later confirmed the exact video the band saw of Adam Lambert that convinced them the singer could pay tribute to their legendary frontman, Freddie Mercury. Adam Lambert proceeded to the live rounds of the show and alongside being embraced by the public, was spotted by none other than Queen. Pictured, Adam performing with Queen in 2019. Picture: Getty Speaking on Good Morning America, Roger Taylor said of the 2009 incident: “A friend of mine called me up and said, ‘I’ve just seen the most amazing singer on American Idol,’ “I checked it out and was singing ‘Whole Lotta Love’ by Led Zeppelin and just blowing it away,

Who sings at the end of All of the Lights?

All of the Lights The World Famous Tony Williams, Alvin Fields, Ken Lewis, Ryan Leslie, Rihanna, John Legend, Charlie Wilson, Kid Cudi, Drake, Fergie, La Roux, The-Dream, Elton John, Alicia Keys Jeff Bhasker, Kanye West, Malik Yusef, Warren Trotter, Stacy Ferguson, Terius Nash, John Stephens, Elton John, Charlie Wilson, Ryan Leslie, Alicia Keys, Aubrey Graham, Alvin Fields, Ken Lewis, Tony Williams, Robyn Fenty, Elly Jackson, Ben Langmaid, Kid Cudi Kanye West, Jeff Bhasker,

” All of the Lights (Interlude) ”

“”

All of the Lights is a song by American rapper Kanye West and is the fourth single from his fifth studio album, My Beautiful Dark Twisted Fantasy. This song has a lot of features, including Rihanna, Alicia Keys, John Legend, The-Dream, Fergie, Kid Cudi, Elton John, Ryan Leslie, Charlie Wilson, The World Famous Tony WIlliams, Drake, and Elly Jackson.

Did Kanye remove Drake from All of the Lights?

8.2010: Kanye West removes Drake from ‘All Of The Lights’. – Kanye West enlisted Drake for a song that would eventually become ‘All Of The Lights’. Drizzy had a verse at the start of the song which was originally called ‘Ghetto University’. However his verse was later removed on the final version, which included contributions from Rihanna, Elton John and more. Picture: Getty

Who is the female singer for Rose Royce?

Gwen Dickey
Dickey performing in 2011
Background information
Birth name	Gwen Dickey
Also known as	Rose Norwalt
Born	December 1, 1953 (age 69) Biloxi, Mississippi, U.S.
Genres	R&B pop disco soul funk
Occupation(s)	Singersongwriterrecord producermusician
Instrument(s)	Vocalspiano
Years active	1973–present
Labels	Whitfield

Gwen Dickey (born December 1, 1953) is an American-born British singer best known as the front-woman of the R&B band Rose Royce, where she performed under the name Rose Norwalt. Her most recognized songs include ” Car Wash ” and ” Wishing on a Star “.

Who is the female singer on One Tree Hill?

‘One Tree Hill’s’ Kate Voegele on her new album, her dual identity, and the season finale Kate Voegele did not set out to confuse the heck out of people by playing a singer-songwriter named Mia on One Tree Hill who sings, well, Kate Voegele songs. And yet “It’s simpler than it sounds,” the 22-year-old insists.

I play Mia on the show.
We make the same records.
Mia’s making her second record, and Mia’s second record is A Fine Mess, which is also my second record.” So why not just play Kate Voegele then? “It seemed like the best way to do it,” she says.
Because if I played myself on the show, it would confuse people more that the storyline wasn’t necessarily my life.” The show itself isn’t helping clear up the confusion when, for instance, it shows a shot of Mia’s album cover — and it looks exactly like Voegele’s, but with Mia’s name.

What it does help, though, is sell albums and concert tickets: She went from an unknown teenage singer to No.4 on the iTunes chart when Tree Hill cast her last season as the first artist to sign to Peyton Sawyer’s record label. And that experience has intertwined her second album with the show in ways she never dreamed of.

“The other night, One Tree Hill featureda song called ‘Angel,’ and I wrote that song in my trailer when we wereshooting season 5,” she says. “It was really cool: I wrote this song on One Tree Hill and now it’s the coda song on One Tree Hill. ” The show’s music geek creator/exec producer, Mark Schwahn, routinely works with Voegele to incorporate her tunes into scripts.

“They really look out for me and make sure fans know what’s going on,” she says. “It’s really an incredible thing that they’re so passionate about music that they’re willing to do all that to support an artist they believe in.” The May 18 finale will feature an entire scene promoting A Fine Mess — which comes out the same day — with Mia signing copies of the album at a North Carolina Best Buy and preparing to go on tour.

Who is the female singer on Jackson Browne’s new album?

“Songwriting is a mysterious thing,” says Jackson Browne. “Sometimes it feels a bit like consulting the oracle.” Take a listen to ‘Downhill From Everywhere,’ Browne’s new album, and you might begin to suspect that he’s speaking quite literally. The collection feels remarkably prescient, grappling with truth and justice, respect and dignity, doubt and longing, all while maintaining a defiant sense of optimism that seems tailor-made for these turbulent times.

Like much of Browne’s illustrious catalog, ‘Downhill From Everywhere’ is fueled by a search—for connection, for purpose, for self—but there’s a heightened sense of urgency written between the lines, a recognition of the sand slipping through the hourglass that elevates the stakes at every turn.
Time rolling away, time like a river, time like a train,” he sings.

“Time like a fuse burning shorter every day.” And while such ruminations might suggest a meditation on aging and mortality from a rock icon in his early 70s, the truth is that Browne isn’t looking in the mirror; he’s singing about us, about a world fast approaching a social, political, and environmental point of no return. Who Sings Brown Eyes “I see the writing on the wall,” says Browne. “I know there’s only so much time left in my life. But I now have an amazing, beautiful grandson, and I feel more acutely than ever the responsibility to leave him a world that’s inhabitable.” While the issues Browne tackles on the album are often sweeping and existential, he writes on a far more intimate scale, consistently zeroing in on the human experience at the heart of it all.

Whether singing about a Catholic priest navigating the slums of Haiti on his motorbike or a young Mexican woman who’s risked everything in pursuit of a better life across the border, Browne manages to tap into a universal emotional language, one that makes the old feel new and the foreign feel familiar.

“There’s a deep current of inclusion running through this record,” Browne explains. “I think that idea of inclusion, of opening yourself up to people who are different than you, that’s the fundamental basis for any kind of understanding in this world.” Indeed, that kind of profound empathy has been at the core of Browne’s work for more than 50 years now.

Hailed as one the Greatest Songwriters of All Time by Rolling Stone, Browne got his start behind the scenes, penning tunes that would be recorded by the likes of Nico, The Byrds, and Tom Rush before launching his own solo career with his classic 1972 self-titled debut. Known for era-defining hits like “Running On Empty” and “The Pretender,” as well as deeply personal ballads like “These Days” and “In the Shape of a Heart,” Browne would go on to sell more than 18 million records in the US alone and be inducted into both the Rock and Roll and Songwriters Hall of Fame.

Throughout his career, Browne also regularly threaded activism into his life and songs, raising funds and awareness for social, political, and environmental efforts. Despite his success, Browne’s never been one to rest on his laurels, and as ‘Downhill From Everywhere’ proves, he’s still pushing himself some 15 albums into his storied career.

Recorded with a core band that included guitarists Greg Leisz (Eric Clapton, Bill Frisell) and Val McCallum (Lucinda Williams, Sheryl Crow), bassist Bob Glaub (Linda Ronstadt, CSNY, John Fogerty), keyboardist Jeff Young (Sting, Shawn Colvin), and drummer Mauricio Lewak (Sugarland, Melissa Etheridge), the record is a truly collaborative work, one driven by group chemistry and an openness to new sounds and ideas.

“Lately, I find that much of the writing process takes place in the studio,” says Browne, who also produced the album. “The music is informed by the way that everyone interacts with it in the room, and there’s this journey of exploring and cutting and re-cutting that can lead you to places you never would have ended up at on your own.” That’s certainly the case with buoyant album opener “Still Looking For Something,” which has been percolating in Browne’s subconscious for years.

Balancing wit and wisdom, it’s an ode to freedom wherever we can find it, and it serves as the perfect introduction to a record that, time and again, answers darkness and doubt with redemption and resilience. The playful “My Cleveland Heart,” for instance, imagines the liberation that would come from replacing our fallible, human hearts with unbreakable, artificial ones (“They’re made to take a bashin’ / And never lose their passion”), while the bittersweet “Minutes To Downtown” summons up the courage to take a leap of faith with someone who changes your entire world.

“No I didn’t think that I would ever feel this way again,” Browne sings on the track. “No, not with a story this long and this close to the end.” “On the surface, it’s about living in LA,” he explains, “but it’s really a metaphor for life itself. I adore this city, but I’ve been trying to leave since around the time I finished my first album.

You can love and appreciate and depend on a life as you know it, but deep down, you may also long for something else, even if you don’t know what it is.” That longing drives many of Browne’s characters on the album.
The tender “A Human Touch”—a co-write with Steve McEwan and Leslie Mendelson, who shares the vocal with Browne on the exquisitely beautiful duet—grapples with the discrimination that still surrounds same sex relationships, tapping into the universal desire for love and connection and understanding that flows through us all, regardless of our orientation.

“The Dreamer,” meanwhile, follows a Mexican immigrant on the verge of being torn from the only life she’s ever known. Rather than demonize those who would happily see her deported, though, the track recognizes the tragic humanity behind their closed-mindedness.

We don’t see half the people around us / But we see enemies who surround us,” Browne sings on the bilingual collaboration with Los Cenzontles’ Eugene Rodriguez.
And the walls that we’ve built between us / Keep us prisoners of our fear.” “I started out wanting to talk about the conflict on the border,” Browne explains, “but the only way to talk about the conflict is to talk about the people living it, so it became about Lucina, a young woman Eugene and I both know.

But the person who sees ‘enemies’ everywhere is also a human being, and what I sing has to be true for that person, too, because I’m not talking about them, I’m talking to them. Even if they don’t like me singing about a girl who came to this country illegally, I want them to care about her.” That’s not all Browne wants us to care about on ‘Downhill From Everywhere,’ which hints at the monumental scale of the work before us with its arresting cover art, a photograph from Edward Burtynsky’s surreal “Shipbreaking” series depicting Lilliputian humans engaged in the painstaking process of dismantling their own rusted, hulking creations.

The soulful title track asks us to confront our personal and societal dependence on plastic and consider its devastating effect on the oceans; the Caribbean-flavored “Love Is Love” challenges us to expand our engagement with places like Haiti beyond the natural disasters and humanitarian crises that dominate our woefully limited understanding of the people and their culture; and the rousing “Until Justice Is Real” reckons with the kind of existential questions that define who we are and where we’re headed.

“What is the future I’m trying to see?” Browne asks himself as much as anyone else. “What does that future need from me?” “I think racial and economic and environmental justice are at the root of all the other issues we’re facing right now,” says Browne.

“Dignity and justice are the bedrock of everything that matters to us in this life.” And yet at no point on the album do we hear preaching from Browne, no lecturing or moralizing or pitting of neighbor against neighbor. Instead, the calls to action here are implicit, as are the warnings about the consequences of continued apathy.

Browne relies on us to draw our own conclusions from the music, to connect the dots in the juxtaposition of imagery and recognize ourselves in the richly detailed renderings of modern life. “As a songwriter, you want to catch people when they’re dreaming,” he explains.

“You want to find a way into their psyche when they don’t see you coming.” With ‘Downhill From Everywhere,’ Browne doesn’t just catch us while we’re dreaming, he challenges us to dream bigger. The songs are ultimately portraits—of people, of places, of possibilities—that appeal to our fundamental humanity, to the joy and pain and love and sadness and hope and desire that bind us all, not only to each other, but to those who came before and the generations still to come.

‘Downhill From Everywhere’ is available July 23, 2021. Pre-order CD & LP from the JacksonBrowne.com Music and Merch store, And for digital, pre-order from the JacksonBrowne.com Digital Music store,

What songs has Ryan Hurd written for other artists?

Ryan Hurd has made a name for himself in Nashville as an adept songwriter with No.1 hits for Luke, Bryan, Blake Shelton and Lady A. Today the singer-songwriter releases his debut album, ‘Pelago.’ Nicki Fletcher Ryan Hurd has made a name for himself in Nashville as an adept songwriter with No.1 hits for Luke Bryan (“Sunrise, Sunburn, Sunset,” “Waves”), Blake Shelton (“Lonely Tonight”) and Lady A (“What If I Never Get Over You”).

After nearly a decade of writing songs for other artists the singer-songwriter is seeing radio success as a solo artist with “Chasing After You,” Hurd’s first duet with his wife, Maren Morris.
The platinum-certified “Chasing After You” is currently No.6 on the Mediabase country chart making Hurd and Morris the third married couple to have a duet in the top 10 this century.

Hurd also earns his first CMA Awards nominations for Musical Event of the Year and Music Video of the Year for “Chasing After You.” No stranger to awards shows, Hurd has attended and watched Morris perform and win CMA trophies of her own. “It’s very cool to share those moments with her and it makes it even more special,” Hurd tells me of being nominated alongside his wife at November’s CMA Awards.

“We’re both incredibly thankful for the year we’ve had.” MORE FROM FORBES Natalie Hemby Takes The Spotlight With ‘Pins And Needles’ By Annie Reuter Hurd has been a music professional in Nashville for almost 10 years and says he began to see success once he learned to let go of all the decision making and to delegate.

He and Morris share the same manager, Janet Weir of House of 42, and he also has two business managers. Hurd says he looks at his job as being in charge of an organization. Once he realized he was not the best at managing himself, Hurd put a team in place that he trusted to do so.

For Hurd, that team began with Weir.
He says Weir understands his and Morris’ career goals and is often steering the ship.
Once you let go of that involvement, for me it was a game changer,” he says.
It made me a better writer and a better artist.
It made me happier.
I think there was a time when I was a very difficult artist because you just want it so bad, and you feel like you’re the only one that cares.

But in reality, this thing takes a while and you’re not going to be as good of a manager as you are a songwriter.” MORE FROM FORBES SmithField Shares Business Triumphs And Pitfalls After 10 Years As Country Duo By Annie Reuter These days Hurd is juggling both his songwriting and artist career.

He is signed as a staff writer at Big Machine Music while his debut album, Pelago, available today via Arista Nashville, introduces Hurd as a thoughtful solo artist and vivid storyteller.
From the standout “What Are You Drinking Tonight” and nostalgic “June, July, August” to the optimistic “Pass It On” and regretful “I Never Said I’m Sorry,” Pelago fully represents Hurd as both a writer and an artist.

The title Pelago comes from the picturesque and rhythmic travel song “Coast.” Hurd stumbled upon the word while looking for something to rhyme with Chicago. Pelago is an Italian word that means either open sea or overwhelming passion. “It really did encompass everything about these songs,” he says of the title.

There’s a lot of summer feel-good songs on this record but there’s also a relationship arc storyline.” Hurd’s path to an artist career and to releasing Pelago wasn’t an easy one. He signed with Sony Music Nashville in 2017 and singles “Love in a Bar” and “To a T” followed. The songs saw moderate success with “To a T” peaking within the top 25 on the country charts.

He says the long road to radio and the heartbreak of seeing songs stall has made his music better and, in turn, has allowed him to find his voice as an artist and to build a fan base along the way. “When you get a record deal you think you’ve made it and really that’s when the work starts,” he says.

It took me a long time to learn all of the jobs that go into being a successful artist.” As “Chasing After You” continues its ascent at country radio Hurd shares a realistic outlook.
He admits that he no longer stresses over numbers and chart positions and instead focuses on finding creative fulfillment and working with the right people.

“It’s been incredibly gratifying to get the response that you always hope for when you release music and you put a single out to country radio,” he says. “I’ve gone through enough heartbreak to know when it’s special, when you should enjoy it and also not to get too excited because it could go away tomorrow.

My perspective has changed so much in the last few years and I’m happy for my team the most because they put so much hard work into making this project go.” Hurd entrusted his team when it came to selecting songs for Pelago,
If they get excited, you know you’re on the right track,” he says.
But he also trusted his gut.

“I hold songs pretty quickly if I know they’re for me.” MORE FROM FORBES After Years Of Writing Hits For Other Artists, Niko Moon Releases Debut Album ‘Good Time’ By Annie Reuter “My management team is really dialed in, and they work really great with the label,” he says.

“There’s so much that goes into it and that it takes to make something successful. It feels like we finally hit the right time, right place, middle of the Venn diagram and it’s been amazing to get to share it with these people and also to have a song out with Maren. To have this moment with her makes it even better.

“I’m really proud of what we’ve done and excited for what’s coming,” he adds. “I can’t imagine doing this job without writing for other people still. I love it and it’s been so rewarding. Getting to do both has been really special.”

What songs did Maren Morris write for other artists?

She wrote songs for such massive stars as Tim McGraw (‘Last Turn Home’) and Kelly Clarkson (‘Second Wind’) before releasing her self-titled EP on Spotify in 2015.